![]() Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Find the current Blue Book value and worth of your new and used guitars, both acoustic, electric and amplifier. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. It seems to me like the Goya should be worth more if anything and was just curious. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. I'm pretty much sold on buying it a lot based on the playability but just the antique value it has interests me. Nylon and steel string acoustic and acoustic/electric guitars, hollow body electric guitars, solidbody electric guitars and basses, thinline electric archtops guitars, banjos, mandolins and amplifiers. ![]() It has a mahogany back/sides/neck with a rosewood fingerboard and bridge. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The guitar brand name 'Goya' existed from the mid 1950's to 1996. The Goya G-500 was discontinued in 1996 with a MSRP of 600.00 USD so its not a cheap guitar.
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